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This sculpture is all about the fluttering, wavering, and collaborative nature of communication. While shaping this clay, I was thinking about the lines and overlapping marks of assumptions that humans often make, discomfort in dichotomies of language and perception, & the sea’s refusal to be stagnant and delineated.
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The cyanotype page is translucent, but it has to be turned in order for the carved line of text to be fully readable, stating “there is a line that people use to separate the land from the sea but it never lines up”. On the silk page, I sunprinted hands fingerspelling the word “sea” in American Sign Language.
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